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The Most Versatile Monitor/Recorder In The Industry
The Odyssey7Q+ is the most advanced, most capable, most versatile monitor/recorder in the world. The Odyssey7Q+ can record HD/2K/UHD/4K via SDI and HDMI. Record Apple ProRes, uncompressed DPX, and RAW (with the Odyssey RAW Bundle). Odyssey7Q+ features an OLED 1280x800 monitor with true blacks, accurate colors, extended color gamut and a 176 degree viewing angle.
Along with the best image in the industry, the Odyssey7Q+ also features an extensive array of image analysis tools, including an RGB waveform, RGB Histogram, False Color, Pixel Zoom with finger drag, three-mode Focus Assist and monitoring LUTs. The unique Multi-Stream Monitoring mode allows up to four HD video inputs to be viewed at once in a quad-split view or to be live-switched between in full screen. The Odyssey7Q+ weighs a little over one pound, is just one inch thick and can run on any power source from 6.5-34 volts.
APPLE PRORES & DPX RECORDING
The Odyssey7Q+ is able to record more formats and signal types than any other recorder in the world. Included in the Odyssey7Q+ is Apple ProRes recording in HD/2K up to 60p and UHD/4K up to 30p. Also included is Uncompressed DPX video recording in HD/2K in 10/12-bit up to 60p.
The "Odyssey Raw Bundle" is an upgrade that allows recording of ARRIRAW (ALEXA), Canon Cinema RAW (C500) Sony FS RAW (FS7/FS700), POV RAW (IO Industries, Indiecam) and CION RAW (Available with upcoming firmware release). FS RAW and Canon Cinema RAW also feature the ability to convert RAW signals into virtually-lossless Apple ProRes video files.
Odyssey7Q+ is capable of capturing 2K/HD up to 240fps for incredible slow-mo footage from camera systems such as the Sony FS700.
With upcoming firmware releases Odyssey7Q+ and Odyssey7Q will be upgradeable to Dual-Stream recording of two simultaneous 1080p signals via dual SDI connections or a combination of HDMI and SDI.
Shortly after the Dual-Stream Record Option Upgrade is introduced we will be introducing a Multi-Stream Record Option Upgrade which will enable the recording of up to four simultaneous 1080p signals. Files will be recorded as Apple ProRes MOV files, including a live-switch file and an edit decision list (EDL) in an XML file. Both options will be available as paid upgrades through our online store.
The Odyssey7Q+ features a 7.7” OLED screen with 1280x800 resolution. The OLED display provides true blacks and accurate colors. A full complement of image analysis tools include a waveform (luma or RGB parade), a histogram (luma or RGB parade), zebra, programmable False Color, Pixel Zoom with finger drag, a three-mode Focus Assist and LUTs.
The included LUTs provide proper viewing of the LOG and RAW modes available from numerous popular cameras, with programmable LUTs coming in the future. These tools are controlled by the easy to use touchscreen interface and are available to view on the OLED or optionally on the SDI and HDMI video outputs of the Odyssey7Q+.
View up to four HD video signals at once as a quad-split screen, or live-switch between inputs. Great for multi-camera shoots and live streaming.
All formats are available for immediate playback directly on the Odyssey7Q+. Full deck controls or tablet-style touchscreen scrubbing through clips makes playback quick and easy. On ProRes files, clip markers are available to quickly pinpoint important material. Image Analysis Tools are also available in Play Mode.
|ODYSSEY FEATURES/SPECS COMPARISON|
|7.7" 1280x800 OLED 8-bit Capacitive Touch Screen||✔||✔||✔|
|3G-SDI Inputs (dedicated)||one||two||two|
|3G-SDI Outputs (dedicated)||one||two||two|
|3G-SDI Inputs/Outputs (bi-directional)||-||two||two|
|HDMI inputs||one||one||one (4K)|
|Timecode LTC I/O, SDI/HDMI embedded||✔||✔||✔|
|Magnesium case; 7.9"x6.1"x1", 1.2 lbs||✔||✔||✔|
|6.5-34vdc, 8-15w, polarity protection, power switch||✔||✔||✔|
|HD Waveform (Luma & RGB Parade) small or large||✔||✔||✔|
|4K/UHD/2K Waveform (Luma & RGB Parade) small or large||-||✔||✔|
|Histogram (Luma & RGB Parade) small or large||✔||✔||✔|
|Vectorscope with 15x magnification||✔||✔||✔|
|Zebra (two programmable color stripes)||✔||✔||✔|
|False Color (six programmable steps)||✔||✔||✔|
|Monochrome Display mode||✔||✔||✔|
|Spot Meter (multiple targets with comparison)||✔||✔||✔|
|Pixel Zoom with frame drag||HD limited||Up to 4K||Up to 4K|
|17:9 signal letterbox||-||✔||✔|
|Focus Assist (three styles w/selectable color & sensitivity)||✔||✔||✔|
|LUTs (presets for popular camera LOG to REC709)||✔||✔||✔|
|LUTs (programmable 3D-LUT library)||-||✔||✔|
|Frame Guides (3 preset, 4 programmable)||✔||✔||✔|
|REC709 or DCI-P3 Color Gamut||✔||✔||✔|
|DualStream Monitoring view 2 HD signals, record one||-||✔||✔|
|MultiStream Monitoring up to 4 HD signals w/live switching||-||✔||✔|
|2K/HD Apple ProRes 4444 (XQ) / 4444 12-bit up to 60p||-||✔||✔|
|Apple ProRes 422(HQ) / Apple ProRes 422 / Apple ProRes 422(LT)||✔||✔||✔|
|Apple ProRes 4K/30p, UHD/30p, 2K/60p||-||✔||✔|
|Apple ProRes up to 1080p30, 1080i60 and 720p60||✔||✔||✔|
|Apple ProRes up to 1080p/60 from SDI||✔||✔||✔|
|2K/HD 12-bit/10-bit 444 RGB to 30p in Uncompressed DPX||-||✔||✔|
|2K/HD 12-bit/10-bit 444 RGB to 60p in Uncompressed DPX||-||✔||✔|
|HDMI HD recording in 1080 up to 30p/60i, 720 up to 60p||✔||✔||✔|
|HDMI HD recording in 1080 up to 60p||-||-||✔|
|HDMI UHD/4K recording up to 30p||-||-||✔|
|Record trigger from touch screen, camera, timecode or remote||✔||✔||✔|
Record Option Upgrades
|ARRI ALEXA ARRIRAW (Available for Purchase or Daily Rental)|
|16:9 RAW up to 60p||-||✔||✔|
|4:3 RAW up to 48p||-||future||future|
|Log-C monitoring LUT||✔||✔||✔|
CANON C500 (Available for Purchase or Daily Rental)
|4K RAW up to 60p||-||✔||✔|
|QHD up to 60p||-||✔||✔|
|4K "half- RAW" up to 120p||-||✔||✔|
|4K/QHD 422 compressed video up to 30p from 4K RAW||-||future||future|
|C-Log monitoring LUT||✔||✔||✔|
SONY FS7/FS700 (Available for Purchase or Daily Rental)
|4K RAW up to 60p||-||✔||✔|
|4K RAW 120p burst||-||✔||✔|
|2K RAW up to 240p||-||✔||✔|
|"4K->4K" 4K RAW to 4K/UHD Apple ProRes to 60p||-||✔||✔|
|"4K->HD" 4K RAW to 2K/HD Apple ProRes to 60p||-||✔||✔|
|"4K->HD" 4K RAW to HD compressed video 4:4:4 RGB to 60p||-||future||future|
|"2K->2K" 2K RAW to HD Apple ProRes 4:2:2 to 240p||-||✔||✔|
|S-Log2 monitoring LUT||✔||✔||✔|
|REC709 (800%) monitoring LUT||-||✔||✔|